Thursday, December 11, 2014

Transcoding Solution

  1. TRANSCODE .MTS FILES INTO A .MOV FILE WITH ADOBE MEDIA ENCODER AND MPEG Streamclip
[High Definition Workflow]

  1. Open the program Media Encoder in the Applications folder.
  2. In Media Encoder, go to Preferences. In the General section, look under Output. Click on the “browse” button next to “specify output file destination” and select the folder that you just made in your External Hard Drive called MOV.
  3. From the MTS folder, drag the .MTS files and drop them into the Queue in Adobe Media Encoder. The Queue is the large window on the left.
  4. Uncheck the little box titled: “Auto encode watch folders” at the top.
  5. Click on the Triangle button under Format to pull up the drop down menu of formats. Choose Quicktime.
  6. Click on the Triangle Button under Preset to pull up the drop down menu of presets -----> If you shot 30fps, choose:
Screen Shot 2014-12-03 at 12.44.29 AM.png
------> If you shot 24fps, choose:
Screen Shot 2014-12-03 at 12.48.21 AM.png
  1. Press the green play button to begin converting.
  2. Now each .mts file should become an .mov file with the same name, in the folder called “MOV”. Close Adobe Media Encoder.
  3. In your VIDEO Folder (in your external drive) create a new folder and call it “PRO-RES”.
  4. Open the program MPEG Streamclip in the Applications folder.
  5. In MPEG Streamclip, go to List > Batch List:Screen Shot 2014-12-03 at 12.57.05 AM.png
  6. Go to Add Files and select your .mov files in your MOV folder. Then click To Batch.
  7. A window will open. Select OK:
Screen Shot 2014-12-03 at 1.03.22 AM.png
  1. In the new window, select the folder that you just made in your External Hard Drive called “PRO RES”.
  2. Now, at the top of the window, in the Compression category, choose the Apple Pro Res setting from the pop-up menu:
Screen Shot 2014-12-03 at 1.10.24 AM.png
  1. And set everything like this:

Screen Shot 2014-12-03 at 1.12.59 AM.png

Note: At Frame Rate, type 29.97 if you shot 30fps; 23.98 if you shot 24fps.
After The batch, your files (In the “PRO RES” folder) are ready to be imported into Final Cut Express.

Last Lab!


Epilogue from Amalgamated Picture Co. on Vimeo.



Teacher Evaluation


Final Extra Credit Opportunity: Evaporating Borders


Evaporating Borders : TRAILER from ivarad on Vimeo.

Thursday, December 4, 2014

Lab #13


How to use Adobe Media Encoder to convert .mts files into Quicktime movies that Final Cut Pro can edit:

  1. Launch Adobe Media Encoder.
  2. Drag and drop your .mts  video files (in the Stream folder) into the Queue window.  
  3. Click on the Triangle button under Format to pull up the drop down menu of formats.  
  4. Choose Quicktime.
  5. Click on the Triangle Button under Preset to pull up the drop down menu of presets.
  6. Choose HD 720p 24, H.264, AAC, 48kHz.
  7. Once all files have been imported and you have applied all the settings click on the  Green play button. This will start converting all the files in the Queue.  
Select the destination of the files under Output File.

Tuesday, November 25, 2014

Thanksgiving Blog Post

Hi All,

We will not have lab this week on Thursday, November 27th, because of Thanksgiving.  In the wake of the court decision yesterday regarding the death of Michael Brown, I wanted to share this short film below, made by friends of mine in Ferguson.



‘Am I Next?': Ferguson’s Protests Through the Eyes of a Teenager from Transient Pictures on Vimeo.

Also, a student had asked for a list of good documentaries to watch.  Below is a LONG list, compiled by members of a filmmakers collective that I'm a part of:

Recommended Documentaries
Harlan County USA
Dark Days
American Movie
Home Movie
Heart of Darkness
Devils Playground
The Cruise
Koyaanisqatsi
Thin Blue Line
Last Train Home
Manufactured Landscapes
Brother's Keeper
Some Kind of Monster
Little Dieter Needs To Fly + Ecstasy of the Woodcarver Steiner/All Herzog
The Staircase
Position Among the Stars
Sir, No Sir
In The Year of the Pig
The Up series
Best Boy
The Oath
The Sorrow and the Pity
Night and Fog
Paris is Burning
Crumb
Point of Order
God's Country
And The Pursuit of Happiness
Unravelled 
Let There Be Light
Sweetgrass
The Gleaners and I
The trials of henry kissinger
All by Errol Morris (some listed above)
35 Up (Michael Apted) and the "Up" series (interviews with a broad range of classes and people every 7 years for the past 42 years)
No end in sight
The Glass House
Burma VJ
Any docs by Werner Herzog
Spellbound
Dogtown and Z Boys
Strictly Ballroom
Black power mixtape
Marwencol
Best worst movie
Beaches of Agnes
Vernon, Florida
Fast, Cheap, and Out of Control
Tabloid
Lessons in Darkness
White Diamond
Grizzly Man
Burden of Dreams (about making Fitzcarraldo) 
King of Kong: A Fistful of Quarters
Jesus Camp
Red Chapel
Google Baby
Exit Through the Giftshop
The Imposter
Trouble the Water
Capturing the Freidmans
Enron: Smartest Guys in the Room
The Devil and Daniel Johnston
Anvil! The Story of Anvil
Tyson
Zoo
The Finale of "This American Life" season two (the "John Smith" thing)
Sherman's March (a classic)
5 broken cameras
Black Sun
Battle of Chile
The five obstructions 
Because we were born
Salesman
Abedland
Manda Bala 
In A Dream
Salesman
Brother's Keeper
Beaches of Agnes
Cat without a grin 
To Be and To Have
Murderball
Sound and Fury
October Country
Eyes on the Prize (Henry Hampton, 6-part series on the Civil Rights movement)
Tongues Untied (Marlon Riggs)
Streetwise (Mary Ellen Marks)
Life and Times of Harvey Milk
28 Up
Hearts and Minds (About Vietnam and Veterans - when John Kerry still had courage)

Thursday, November 20, 2014

Lab #11 - Shooting Final Project

Camera Review



1.  Make sure you have an SD Card, and that it has been formatted



2.  Make sure you are on Manual




3.  Exposure, ISO, Color Balance



4.  Audio recorder if you are using synced audio, with head phones, batteries, and SD Card.


Thursday, November 13, 2014

Lab #10


Case Study: Final Project by Allison Daugila
Option #1: Continuity Storytelling
Media 160 Spring 2014






Woman Ascending from Allison Daugila on Vimeo.


Final Project by Jessica Riascos


final from jessica riascos on Vimeo.


Case Study: Final Project by Conrado Falco
Option #1: Mini Documentary
Media 160 Spring 2014


Costume Shop from Conrado Falco on Vimeo.















1. Close-up on hands (or a part of the body they are using to do the activity)
2. Close-up on face
3. Wide shot
4. Over the shoulder shot
5. Shot of your choosing (low, high, etc)



Extra Credit Options:

Nam June Paik at Asia Society 

DOCNYC



Thursday, November 6, 2014

Lab 9


DUE THIS WEEK IN LAB: Blog #3 (MOMI Trip), Audio Portrait

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StoryCorps